Icons: Nigel Cabourn, the Cameraman jacket

By Well Dressed Dad, March 1, 2013

One of the most iconic jackets of recent years has to be Nigel Cabourns Cameraman jacket. It was first introduced in 2003 as 1 of 12 pieces designed & released as the Ascent of Cabourn collection to mark the 50th anniversary of the Hilary ascent of Everest. It’s a jacket that has been available every summer and autumn since then, each time in a different colourway (protip: fancy term for combination of colours, learn to use the term as it makes you sound really knowledgeable) and in various combinations of materials.

Nigel Cabourn bases most of his garments on vintage styles, often remixing them to create new from old. The Cameraman is a typical example of this, as it is basically two vintage jackets spliced in the middle (this of course is a gross simplification of the process). Pay close attention in this video and at around 1:12 you will notice two folded jackets lying in a showcase, looking very much like a Cameraman:

Through discussion on Styleforum, the top half of the jacket has now been identified as a US Navy ´Parka, wet weather smock, spec 288b´:

The ‘male’ prong on the clasps is the same as the Cameraman but the ‘female’ part is different to the ladder type part used on the Cameraman. In Nigel’s ‘Ascent of Cabourn’ book from the 2003 collection there is more info on the clips used. On the first photo of the Cameraman these are exactly as the US smock and there is a page featuring this clip describing it as a ‘naval clip with rivets’

 

The jacket on the photo in the book was a pre-production sample and used different clips than the later production jackets. Or did the early Cameramen use non-ladder type clips? research is ongoing!

Where the ladder type design comes is unknown, it could either be from a different vintage garment, or in fact an original NC design – does anyone know ?

The earliest jacket that used this style of clips appears to be the British Tropal coat, as shown below:

Interestingly there are photos of Wilfrid Noyce wearing the British equivalent smock which in the 30’s, 40’s and 50’s had string ties for the army version or in one photo the unusual 5 button throat fastening on the Naval equivalent both of which Nigel Cabourn has recreated in past seasons.

Below are photos comparing details of the Cameraman and the US  Navy Parka. They share some obvious design details, such as the clips (four instead of three on the parka and a simpler non-adjustable system) , the covered ear-holes (two grommets on the Cameraman, one on the parka and a slightly different shape of the outside cover) and the cuff, where the Cameraman has a much nicer but similar button arrangement.

Although the cameraman has a much nicer execution it seems to follow the general design in such a way That it is quite plausible that this particular parka is the inspiration for the top part of the jacket.

The “story” behind the Cameraman style is that it is inspired by a jacket worn by Wilfrid Noyce on an Everest expedition.

Or, as Nigel said himself, in an interview with Esquire:

““The reason I love this piece so much is because it comes from real vintage pieces. I have a vintage collection of over 4000 pieces, because I love real things. This jacket is a combination of 2 vintage pieces I have. The top is from a British army naval jacket, which is waterproof and has big metal clips, which were designed to open with ease if you had gloves on your hands. The bottom comes from an old British Hunting/Fishing jacket with big functioning pockets.  I actually photographed the two, cut them in half and stuck them together. That’s how I got the Cameraman Jacket.”

The Autmn/Winter (or AW, as the pros say) Cameraman jacket has an upper made of Mackintosh, and a lower made of Harris Tweed, to keep the wearer warm in colder conditions. It features specially made metal clips, and waxed cord in the hood and hem.

The Spring/Summer (or SS, if you like) Cameraman jacket has the upper of Mackintosh again, and the lower half of thick Irish linen. This is the variant known as “Raw Yellow” and is generally considered to be one of the best. The combination of yellow and cream is quite superb. If you’re looking for one of these, see at the end of this page.

For SS12 there was the Cape Cameraman (shown below) in beeswaxed cotton. Also worth mentioning is the AW12 “Crazy” Cameraman which mixes things up a bit (there is an even nicer variant of crazy, in the form of the Mallory tweed jacket, which I’ll be looking at later on):

Cape Cameraman with camo beeswax material

Crazy Cameraman

The most recent collection (SS13) gives us an all-Ventile variant, with taped seams, plus a slightly shorter variant called the Rangoon. The Rangoon has only 2 clips (whereas normally 3) and has a Ventile upper and a brushed cotton lower part. There’s life in the design yet! Personally I’m curious as to how the Ventile performs compared to the Mackintosh material, as the latter can become very clammy if you break a sweat while wearing the jacket.

All-Ventile Cameraman with taped seams

Rangoon Cameraman

I spotted these Ventile Cameraman jackets (and a couple of Mallorys) at Høyer Eger in Oslo recently. Given that Nigel Cabourn is an unknown brand in Norway, this is a very rare sighting!

All these materials are true British classics with a terrific historical background. If you get a kick out of knowing what your kit is made of, and the history behind it, you’ll really love this stuff. Just read up on the history of Ventile for starters.

Another interesting factlet is that Mackintosh, the makers of the fabric of the same name, and widely used in the various Cameraman jackets, are the actual makers of the jacket. I don’t know whether this is true for the later variants that don’t use the rubberized cotton that is the Mackintosh material.

Add in the fact that all the Cameraman are made in very limited numbers (around 500 each season), made in Britain, with only British materials, and we have a part basis for the, not to be overlooked, high price of the jackets. Cameraman jackets tend to retail at around 1100-1200 pounds. Don’t be too put off though, as there is a lively trading in them on eBay and clothes forums. They can also often be found at the end of season sales, though there are relatively few shops that stock Nigel Cabourn.

For the AW13 season there is a new Crazy Cameraman. I came across this fantastic photo taken by Dutch retailer USHOWU.

You might also like to read about Nigel Cabourns Mallory jacket!

Iconic clothes often inspire fakes, read more about the Cameramanesque copies here.

Thanks to Rob Noordhoek and Steward J Simon for help with this piece!

Related articles

• Icons: Nigel Cabourn, the Mallory jacket
• Waistcoat Wednesday: Nigel Cabourn, a linen number for the summer
• Waistcoat Wednesday: Nigel Cabourn, herringbone Harris Tweed finery
• Waistcoat Wednesday: Nigel Cabourn Mallory waistcoat
• Waistcoat Wednesday: Nigel Cabourn, not for the shy
• Inspired by an icon – Cameramanesque
• Jacket tips for spring and summer
• More army aceness: Swedish wool jacket from 1956
• Review: Realm & Empire patrol jacket
• Shop visit: The Army Gym, Nigel Cabourn in London

Categories: Guides, Reviews

Tagged: army, beeswax, cabourn, cameraman, coat, design, everest, harris tweed, hilary, icon, jacket, linen, mackintosh, navy, nigel, nigel cabourn, rangoon, ventile, vintage, Wilfrid Noyce